C’était un Rendez-Vous
A short film made in 1976 by Claude Lelouch, showing a high speed drive through Paris.

Analog Experiment
by pomp&clout
Max Frey - Rotor d/64
A circular light drawing is created through single controlled LEDs on a
rotor. On the program discs there are etched drawings which are powered
with electricity. For each light source exists a sliding contact. With the
contact onto copper, the electricity runs through and a particular light
shines.
Max Frey


Untitled Sound Objects
The «Untitled Sound Objects» are created by using computer controlled small machines and robots, in combination with different materials which are used as sound sources.
By Zimoun



There are No Forbidden Thoughts
Connect / Feedback-driven sculpture
Thirteen oscillating spheres of steel are connected to a matrix by rubber bands. A bar with a magnet at either end controls the behavior of each of the system elements. Once a sphere is connected to the bar, it is oscillated by a motor until the bar detaches and makes a new connection to another sphere. No randomness or chaos needs to be simulated, because the constantly rebuilt physical structure of the sculpture becomes its own analog program for non-linear behavior. So the system produces complex behavior even though its structure and rules are simple.
Connect by Andreas Muxel

Ann Veronica Janssens
Ann Veronica Janssens questions the elusive. She tries less to grasp the impalpable and chooses to experiment with its multiple forms and apparitions instead. Janssens work is based on one’s sensorial experience, the encounter of the body and the space. She uses light, colour and sound to create experiences that heighten a viewer’s perception and awareness of space and movement. The visitor – whom Janssens disorientates by the modification and destruction of the known space – is an integral part of her installations. She engages all senses to render the immaterial visible and tangible.
05-09-2009 > 06-12-2009 - Exhibitions of Ann Veronica Janssens in Brussels WIELS


Tennis for Two
Tennis for Two was a game developed in 1958 on an analog computer, which simulates a game of tennis or ping pong on an oscilloscope. Created by American physicist William Higinbotham, it is important in the history of video games as one of the first electronic games to use a graphical display.

Still life
This ‘still life’, a selection of store bought cosmetic bottles, was cast in pigmented rubber. By stripping the products of their brand recognition, logos, or semiotic labeling, one begins to see the high aesthetic quality of these objects and a latent eroticism is revealed.
By David Baskin

Autoportrait
In ‘autoportrait’ machine and visitor are placed in the relationship of portrait-maker and model, of artist and subject. Though the act of creation originates with the machine, the function of image-reproduction is itself an image of human creativity.
By Robolab
C’était un Rendez-Vous
A short film made in 1976 by Claude Lelouch, showing a high speed drive through Paris.

Analog Experiment
by pomp&clout
Max Frey - Rotor d/64
A circular light drawing is created through single controlled LEDs on a
rotor. On the program discs there are etched drawings which are powered
with electricity. For each light source exists a sliding contact. With the
contact onto copper, the electricity runs through and a particular light
shines.
Max Frey

Untitled Sound Objects
The «Untitled Sound Objects» are created by using computer controlled small machines and robots, in combination with different materials which are used as sound sources.
By Zimoun


There are No Forbidden Thoughts
Connect / Feedback-driven sculpture
Thirteen oscillating spheres of steel are connected to a matrix by rubber bands. A bar with a magnet at either end controls the behavior of each of the system elements. Once a sphere is connected to the bar, it is oscillated by a motor until the bar detaches and makes a new connection to another sphere. No randomness or chaos needs to be simulated, because the constantly rebuilt physical structure of the sculpture becomes its own analog program for non-linear behavior. So the system produces complex behavior even though its structure and rules are simple.
Connect by Andreas Muxel
Ann Veronica Janssens
Ann Veronica Janssens questions the elusive. She tries less to grasp the impalpable and chooses to experiment with its multiple forms and apparitions instead. Janssens work is based on one’s sensorial experience, the encounter of the body and the space. She uses light, colour and sound to create experiences that heighten a viewer’s perception and awareness of space and movement. The visitor – whom Janssens disorientates by the modification and destruction of the known space – is an integral part of her installations. She engages all senses to render the immaterial visible and tangible.
05-09-2009 > 06-12-2009 - Exhibitions of Ann Veronica Janssens in Brussels WIELS


Tennis for Two
Tennis for Two was a game developed in 1958 on an analog computer, which simulates a game of tennis or ping pong on an oscilloscope. Created by American physicist William Higinbotham, it is important in the history of video games as one of the first electronic games to use a graphical display.

Still life
This ‘still life’, a selection of store bought cosmetic bottles, was cast in pigmented rubber. By stripping the products of their brand recognition, logos, or semiotic labeling, one begins to see the high aesthetic quality of these objects and a latent eroticism is revealed.
By David Baskin
Autoportrait
In ‘autoportrait’ machine and visitor are placed in the relationship of portrait-maker and model, of artist and subject. Though the act of creation originates with the machine, the function of image-reproduction is itself an image of human creativity.
By Robolab


